Motion Picture  Bleach-bypass was first used in cinematography by Japanese filmmaker Hiroshi Inagaki in film Rickshaw Man (1957). Kazuo Miyagawa, as Daiei Film s cameraman, invented bleach-bypass for Inagaki s film, inspired by the color rendition in the original release of Moby-Dick (1956), printed using dye-transfer Technicolor, and was achieved through the use of an additional black and white overlay. Actually, this is a throwback to pre-1944 Technicolor, which incorporated a silver-containing blank receiver . Despite this early foray into the technique, it remained overlooked for the most part until its use by Roger Deakins for 1984 (1984). The effect has subsequently become a regular development tool in labwork, and has remained in widespread use. Practitioners include cinematographers Rodrigo Prieto, Remi Adefarasin, Darius Khondji, Dariusz Wolski, Walter Carvalho, Oliver Stapleton, Newton Thomas Sigel, Park Gok-ji, Shane Hurlbut, Steven Soderbergh (as Peter Andrews ), Tom Stern, Vittorio Storaro, and Janusz Kamiński (notably on Steven Spielberg s Saving Private Ryan and Minority Report.

These two-bath bleach-bypass kits can be used at a variety of temperatures with the same equipment you already process your black and white film with at home. No darkroom or automated processor required! Reusable solutions develop 24+ rolls color film and can be reused following the Cs41 instructions.

Features: